Portrait in Which I Don’t Recognise My Mother by Charlotte Murray
- Jul 25
- 1 min read
Portrait in Which I Don’t Recognise My Mother
My grandmother traces her outline slowly,
a slender figure on Blackpool Prom
backlit by a smudge of illumination.
She is sixteen, trailing her longing
behind the rest of the family, the bold strokes
of her scowl dark as her hair.
On past the Tower and the Winter Gardens
in her blaring miniskirt, her mind dances
away beneath the strobing palette
of the Upstairs Downstairs with a boy
my grandparents never met, a fug of hairspray,
alcopops and cigarette smoke
blurring their limbs like sea fret.
It is 1980, and Tess of the D’Urbervilles
is still on her bookshelf, unread.
When I show the sketch to my mother
it turns to ash in her hands, the edges
curling as they char into a dark gap
in memory’s album. She pulls out
an insipid watercolour of herself at twenty,
holding hands with the trainee accountant
who will offer her an eraser in the shape
of a ring. An heirloom lovingly inscribed
with silences no one will fill.
Charlotte Murray is a Creative Future Writers’ Award winner from West Yorkshire. She is also a past winner of the Prole Laureate Competition and EHP Barnard Poetry Prize. She has been published in various magazines including Propel, Amsterdam Quarterly and The Broken Spine, and is forthcoming in fourteen poems. She is a member of Hive Poetry Collective. Twitter: @charlouwriter.

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