top of page

Issue 10 Contents and Editorial Note



'Believe us, they say, it is a serious thing just to be alive on this fresh morning' by Melanie Goemans



  1. Stone age mother and baby burial with a swan’s wing, circa 4000 BC. by Corinna Board

  2. Tapestries by Louise Mather

  3. Terroir by Jen Feroze

  4. Green Tea by Julian Bishop

  5. Dedicate by Sarah Doyle

  6. On the Edge by Kathryn MacDonald

  7. The cows on the Ice by Carl Alexandersso

  8. Cortège by Dorothy Burrows

  9. Turbulence by Alice Stainer

  10. At Fifteen by Jenny Mitchell

  11. Bethlehem, New Hampshire by John Grey

  12. Liminal Interval by Ben Groner III

  13. Pain à la Duchesse by Peter Donnelly

  14. Repair Bill by Alan Kissaine

  15. Recluse by Sue Spiers

  16. No Timidity with Snow by Matthew J. Andrews

  17. Those Evenings I Remember by Carolyn Oulton

  18. Crossword clues for longing by Imogen Osborne

  19. Love As Inter-Molecular Spaces by Jayant Kashyap

  20. Timescales by Derek Graf

  21. The Dark by Sam Bootle

  22. Overdue Prayer by Bethany Jarmul

  23. Learning to Sew by Amanda Ferguson

  24. Cabbage Scrunchie by Maria Sledmere

  25. Water by Adam Panichi

  26. Point of View by Mary Brown

  27. The Hug by Dani Janae

  28. In your second mojave springtime by JC Alfier

  29. Sappho takes her muse into town by Karan Chambers

  30. How to turn one villain into two by Susan Gordon

  31. Middle Ages by EG Cunningham

  32. Evensong, Durham Cathedral by Amaleena Damle

  33. Finding a Home by Helen Openshaw

  34. Spinning by Peggy Hammond

  35. Unroot by Emmy Roday

  36. Hand printed swan feather by Leonie Amsler


A note on reading: If you are reading this issue on a phone you may find that switching to desktop view restores the intended structure and linebreaks of the broader poems.



Welcome to Issue 10 of Dust Poetry Magazine, with 35 new poems, and artwork by Melanie Goemans and Leonie Amsler.


The title of Melanie Goemans' wonderful painting on our cover:"Believe us, they say, it is a serious thing just to be alive on this fresh morning... (in the broken world)", taken from Mary Oliver's 'The Invitation', feels particularly poignant as we launch our issue this October, against such a horrifying backdrop in the news. We hope these poems, full of so many different kinds of love and joy, pain and loss, and ending with Leonie Amsler's beautiful swan feather might bring a sense of comfort, enjoyment or hope, wherever you are reading them.


Issue 10 feels like a special issue for Dust because it's the first created by a team. I'm delighted to have been joined by my brilliant new co-editors, Bhavya Bhagtani and Catherine Redford, both of whom began working on Dust only two months ago but have already brought so much talent, wisdom, thoughtfulness, and fresh insight to the editorial process.


That process will sometimes, a bit like when writing a poem, begin to lift up and seemingly find a path of its own, and it's one of the many joys of editing, as those glimmers of serendipity and synchronicity begin to appear. This issue didn't have a theme, but as we began to read through submissions birds started to arrive. Poem after poem, and followed by a few cows too, the birds kept flying in.


The birds flying across the cover of Issue 10 are by artist Melanie Goemans. Melanie grew up in the Lincolnshire fens, spending time in Italy between studying Florentine Renaissance Art at the Courtauld Institute of Art, University of London (BA Hons. and MA with distinction). Then followed MA Fine Art (Painting) at the University of Gloucestershire, and a series of residencies including at the Florence Trust, Highbury. She now works from her studio in Cambridgeshire. Over the past 20 years Melanie has exhibited at the Jerwood Space, Sarah Myerscough Fine Art, Thompson’s City Gallery, jaggedart, Rebecca Hossack Gallery, Kittoe Contemporary, London; Belgrave Gallery, St Ives; The Stratford Gallery, Stratford upon Avon; Gallery 94 at Glyndebourne Opera House; Irving Contemporary, Oxford, and elsewhere. She is represented by Beaux Arts Bath, Cornwall Contemporary, Penzance, and Eastwood Fine Art, Hampshire. Her work is held in collections worldwide including The Dorchester, the Pizzuti Collection, Imago Mundi, Exton Park Vineyard, Fox Linton, Bridgeman Art Library. She was shortlisted for the John Moores Painting Prize (2020) and has featured in the ING Discerning Eye and National Open Art Exhibitions.


Of her artistic process, Melanie says: "Walking my dogs in the early morning I notice the small seasonal shifts. I think about the quiet beauty in the everyday, particularly in the natural commonplace things, rarely celebrated. My paintings are inspired by what I see around me: the form of a tree; the long lines of twining stems; the intricacies of birds in flight. Often I am reminded of a poem or a piece of music and revisit an idea resonating there. Before the layers of gesso, I draw in charcoal or acrylic and the subsequent gilding or linseed oil shine in contrast. I paint in oil from my photographs, tracing the lines loosely with a fine square ended brush, observing the tonal shifts, and the marks build up the complicated patterns of the whole. Using traditional materials, my work draws attention to these fleeting moments and underscores their value.”


Thank you to each of our outstanding poets and to Melanie and Leonie for such wonderful artwork, it is an honour to be able to feature all of this work in Dust. Thank you too, to everyone who submitted work for the issue, it's always a tremendous privilege to read your poems, thank you for sharing them with us. And lastly, thank you to you the reader, and to everyone who supports Dust on and offline, there would be no Issue 10 without you, we hope you enjoy it.


Tara Wheeler

Founding Editor












Commenti


bottom of page